With all this talk of the religion that is not a religion the ancient practice of theurgy (god working) has always been about this transmutation, taking the lead of our animal self and turning into the gold of a sacred marriage with our higher self. Not rejecting our embodied nature but marrying it with our abstract nature via magical metaphor. Whathefuckhora.
One
way of doing this in wesoterica is via the Major Arcana of tarot. It
shows that alchemical process. But in its original and metaphysical
interpretation it starts with spirit which then involves into matter.
The journey then becomes the evolution back to spirit.
Whereas
a more naturalistic, postmetaphysical interpretation is that both
matter and spirit have always been mutually entailed, than involution
and evolution are co-enacted from the start in the generative space/time
of khora. Spirit is not the creator god above over body below. It's
more that we become alienated from the sacred marriage through
metaphysical dichotomy which must be regained via theurjic practice.
It's a similar idea in tantric practice, that it's our obstructions
which prevent seeing our original face.
Again,
I'm just giving this a new name, mutagodurjism, to indicate that
transmutation from using traditional names which tend to keep new wine
in old wine-skins, thus souring it. Our names for things, itself a
magickal, metaphorical process, must also indicate that transmutation.
Viva la différance.
Much
like I tweaked the word metamodernism into mutagodurjism, I did the
same previously with hier(an)archical synplexity from hierarchical
complexity. In my short introduction to the latter I described the
tensegrity involved in tai ji quan, my earlier Taoist alchemical
training. It's what I mean by mutual entailment above. (Also see the longer explanation in this video.) Quote:
According
to the Tai Chi Classics (Barlow, 2020) one can "use four ounces to
deflecta thousand pounds." To do this one must "distinguish clearly
between substantial and insubstantial." Both are accomplished via
compression and leverage, both within one's body and by applying them to
another body. Compression and leverage are accomplished by maintaining 4
ounces of resistance or pressure between complements at all times and
through all changes. Without this resistance our biomagnetic and
biomechanical energy does not flow with enough force to move much of
anything, much less a thousand pounds.This is also critical in partner
dance connection/communication.
For
example, the fundamental premise of same-difference and
connection-separation exemplifies the relation between any 'two.' This
could relate not just a philosophical axiom but practically to one
person or two people (or more). In practicing tai chi alone one is
always playing with this ever-changing 'balance' between active and
passive parts of their body-mind, or substantial and insubstantial. And
there are several of these balances going on at the same space-time,
like between the two hands,the two feet, the head and feet, the front
and back, etc. These complimentary parts are connected yet "clearly
distinguished."
Where
the resistance or pressure comes in is in the dynamic tension between
them. Note the preposition 'between.' It is what glues them together yet
also keeps them apart like a generative (en)closure (Alderman, 2013).
I.e, they are adjacent, not one and not two, at least not exactly
(Pascal, 2013). This 4 ounces of resistance is strongly akin to any
permeable boundary that is both open and closed, that not only separates
one from another but also allows connection and communication with
another. Hence the practice can also been done with another(s), which
experience of working with another feeds back to working with oneself
and vice versa. The ongoing training requires both. Hence this practice
is also a non-dual, embodied syntegrity.
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